62nd in a series
Les introduced us last issue to exercises 3 and 4. Here are details for exercise 3.
61st in a series
Last issue, Les wrapped up collected stops. Now we’ll move into exercises Number 3 & Number 4. Here’s an overview before we move into more details in our March 6 issue.
Being able to control the horse’s whole body is critical to your training. In particular there are times when you’ll need to position or move the horse’s body without the shoulders leading the way or getting in the way. Here are a few:
60th in a series
Last issue, Les concluded his in-depth series on collected stops. Before we move on to exercises next issue, let’s recap the collected stop material.
59th in a series
Last issue, Les presented his “Seven Steps to Big Stops”, and he worked us through the “Signal Stop”. (to review: http://bit.ly/1401A_Les). Now, we apply those keys with different stops.
58th in a series
Last issue, Les showed us ‘the sequence stop’. Now we’ll launch into his seven-step ‘big stop’ program.
57th in a series
Last issue, Les showed us details of collected stops. Now we take into account the gait.
Three Stages: Walk, Trot and Lope
So is a horse that just did his first great collected stop at the walk ready to go on to the lope? I don’t think so, maybe not even to a trot yet. There’s work to be done but only perfect stuff. To get the perfect stuff it’ll seem like you’re spending a lot of time doing exercises that don’t seem really exciting or fun – you don’t see the light at the end of the tunnel – but as you continue to work on the fundamentals, the stops will start to happen right before you, and they’ll stay consistent because both you and your horse will be comfortable. Don’t worry – it happens.
56th in a series
Last issue, Les prepared us well as we head into collected stops. Here are a few more pointers.
When you are ready for the stop and you take away your legs, don’t say “whoa.” We don’t want a crisp hard stop yet. We want a beautiful energy transfer from the front of the horse to the back, one that just melts. What you are going to feel when it’s right is that there is actually an energy current that goes from his poll, down his spine and to his hind legs. You can stop a little harder but don’t say “whoa” at this point; you’re letting him melt, and saying “whoa” means “get it into the ground.”
55th in a series
After Les broke down the components of a collected stop in last issue, here he presents keys to remember.
54th in a series
Last issue, Les laid out the critical piece to a stop: collection. Now we break down the components further.
53rd in a series
Last issue, Les outlined what we need to do for great stops. Now we’ll look at the work in hand in greater detail.
The most important ingredient to a stop is collection, and collection is achieved through weight reversal from the forehand to hindquarters. How does it happen?